The article aims to analyse the last compositional phases and the difficulties raised by the philological edition of Un pobre hombre rico o El sentimiento cómico de la vida, Unamuno’s last —and perhaps one of the least known— novel. The study of the principal sources (the autograph and the editioprinceps of 1933) and of the author’s idiolect allow to distinguish, in the printed version, the author’s variants —introduced in the last phase of revision— from the typographical ones.
Algunas calas en el proceso redaccional de Un pobre hombre rico o El sentimiento cómico de la vida: del autógrafo unamuniano a la príncipe
Marta Fabbri
2021
Abstract
The article aims to analyse the last compositional phases and the difficulties raised by the philological edition of Un pobre hombre rico o El sentimiento cómico de la vida, Unamuno’s last —and perhaps one of the least known— novel. The study of the principal sources (the autograph and the editioprinceps of 1933) and of the author’s idiolect allow to distinguish, in the printed version, the author’s variants —introduced in the last phase of revision— from the typographical ones.File in questo prodotto:
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