Aim of the paper is to investigate the affinities and differences with which Adorno and Anders address the theater of Samuel Beckett, identified as the only possible form of artwork after Auschwitz.
Theodor W. Adorno, Gunther Anders, and the Representation of the End Time: Beckett at Auschwitz
Micaela Latini
2022
Abstract
Aim of the paper is to investigate the affinities and differences with which Adorno and Anders address the theater of Samuel Beckett, identified as the only possible form of artwork after Auschwitz.File in questo prodotto:
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