The paper focuses on some strategies of composition in Aleotti’s theatre by analysing ideological context and working practices. The examples drawn from “Nozze Pio-Farnese” in 1587 and Aleotti’s tournaments in 1610 and 1612 outline a stage language that shaped the Farnese theatre.

Theatrum orbis miraculum. G.B. Aleotti tra teorie e prassi teatrali

Lipani Domenico Giuseppe
2019

Abstract

The paper focuses on some strategies of composition in Aleotti’s theatre by analysing ideological context and working practices. The examples drawn from “Nozze Pio-Farnese” in 1587 and Aleotti’s tournaments in 1610 and 1612 outline a stage language that shaped the Farnese theatre.
2019
Lipani, Domenico Giuseppe
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11392/2420705
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