The essay tries to retrace the genesis of Carlo Bononi’s painting, today unknown – Cupid who breaks his bow – commissioned by Brusantini family from Ferrara, through the study of the historicalliterary context in which this iconography complex was produced.
«Cupido in atto di spezzar l’arco»: ricostruzione storico-iconografica di una perduta opera bononiana
Lara Scanu
2019
Abstract
The essay tries to retrace the genesis of Carlo Bononi’s painting, today unknown – Cupid who breaks his bow – commissioned by Brusantini family from Ferrara, through the study of the historicalliterary context in which this iconography complex was produced.File in questo prodotto:
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